A point pointed by the pointer-outer Monsieur Chipp, was that to effectively create the image of a single person, and meanwhile improve the aesthetics of the images, we should create connections between the speakers to indicate who was speaking, and the fact that we work as one and are not simply conversing in a group of women like a mother's meeting ( is that the saying?) having an old chinwag.
Un bon point!
D'aceur we began working on this point pointed out by the pointer-outer for the next hour before we performed our work. Therefore, we worked on the scenes already created and not only must it have looked more effective to the onlooker/ audience, but it felt like it ran faster, smoother and more effectively as a group and identity.
Examples of our work is at the beginning beginning with our backs turned and as each character speaks their letters of "O.R.G.A.S.M." we connect by pushing the previous speaker down/away etc. then as we progressed through our choreography, all we added were little touches from the characters, or in-sync looks at the speaker from other characters, or pushes out-of-the-way-to-take-centre-stage!
I think that the end result was effective and managed to have a smooth-running performance which helped the audience understand who was speaking and the connection between each identity of this one person.
The video below shows our performance at the end of the lesson. It's confusing because we're missing one of our people, Charlotte, so that's why look at an invisible person and push them out of the way. I love the bit where I catch the thread, but I need to work on the canon 'frozen' moment.
The video of our wonderful performance
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